Fashion/Style

Photoshoot!

Monday, October 26th, 2009

Tuesday was a marathon seventeen hour day! We did a photoshoot for Holiday/Resort 2009, and Spring 2010. We got great photographs, which made it a great day, worth all those hours.

The credit for the success of the day goes to having a great group of people involved.

Nathan

Nathan

Tim

Tim

Let’s start with our fantastic models, Tim Ryan and Nathan Kamp.

Not only do these guys look great, they make us look great. They are so easy to work with. Professionals in every sense of the word.

They get in front of the camera, and immediately we get great shots, so we can move right on to the next product.

They are intelligent, they are fun to work with, nice to talk to, aren’t moody, and they eat the food we provide without complaint!

Just a real pleasure to work with.

Most of the time, in fashion work we want a serious, moody, or dramatic look, as illustrated in the first two photos. But it’s hard to keep that up all day, and there are many lighter moments during the shoot (lower image at left).

Nathan (left) and Tim (right)

Nathan (left) and Tim (right)

Tim and Nathan don’t spend all their time modeling. They both run marathons, for example.

Tim ran the New York City Marathon last year, about which he says “I successfully crossed all the bridges and ran through all five boroughs!”, adding “26.2 miles, with 4 blisters, 2 black toes and one sore body!” And while doing that, he was raising money for charity. He plans on running the NYCM again this year, both to beat last year’s 3:48, but also to raise money for the Max Cure Fund at the Sloan-Kettering Cancer Center. The fund is dedicated to researching rare pediatric cancers, improving treatments and finding cures that will save children’s lives, a cause Tim became involved in through one of his wife’s friends. In preparation, Tim has been running in races and training all summer. For more information, and to help support this cause, please see Fred’s Team.

Tim is also an actor (he recently recently worked on The Adjustment Bureau, starring Matt Damon, and Sex and the City 2). And just to keep himself busy, he also coaches his son’s soccer team.


Nathan, when not modeling or running marathons or playing basketball (which he loves to do), cooks! But this is not the celebrity-chef-at-the-stove-with-the-fast-knife kind of cooking, this is about the relationships among food, friends, and family, and how these elements get woven into an upbeat, positive lifestyle. You can get the full story at his Live To Eat website.

It’s interesting to note that Nathan writes his own scripts for the videos, shoots them, and does all the editing, with just a friend helping out. So in his videos, you are really seeing into his world through his eyes and hands.


Gerardo in Action!

Gerardo in Action!

A good photographer makes a photoshoot easy. So please meet Gerardo Somoza, our master of lenses and lighting. He not only snaps the pictures, but he also directs the models for poses and looks. Unfortunately, we didn’t get to use the helicopter during our shoot! This photo is from a shot Gerardo did for a client who manufactures helicopters.

A major challenge in photography is the equipment. There is a lot of it, and it gets used hard. When it breaks, everything comes to a halt. And break it will. So it’s helpful that Gerardo brings enough equipment that quick substitutions and repairs keep the day going smoothly.

And a good camera, a steady hand, and a good eye are all important.

Temple Detail

Temple Detail

Here’s a detail from the above picture of Nathan and Tim (it’s the temple from Tim’s glasses). This is a blowup from a hand-held camera shot. As you can see, Gerardo has a steady hand on the camera and shutter.


Finally, I’ll just mention that a photoshoot takes a lot of people. The models and the photographer are the “stars” of the show, but a photoshoot doesn’t happen without a photographer’s assistant (several, in our case), stylists, people to select outfits, somebody to run out for food and drinks, run the computers, do makeup—well, it’s a room full of people.

Special thanks go to Jason Wehlage and David Duralde of Kenmark Optical, who were at the photoshoot all day, and were a pleasure to work with. People who are on top of their game, don’t fuss, stay focused, and know how to laugh make the day go along smoothly and pleasantly, and help make sure we get great photos. Thanks, guys!


P. S. As you would expect, Tim and Nathan appear widely in Jhane’s Online Store. Once you get to know them, it’s easy to spot them there, even though we don’t show their faces.

Jhane Barnes: Fashion Pioneer

Friday, August 7th, 2009

weavingIn a previous post, I wrote about how working as a designer for Jhane Barnes has fed my love and knowledge of weaving. Working with Jhane has also helped me to fully appreciate the breadth of computer technology and its applications for textile design. My job has really incorporated both skills: understanding how to weave, and using the computer as a tool to design both prints and wovens.

In the nearly three years that I have worked with Jhane, I have witnessed fashion’s ebbs and flows, and have been impressed with Jhane’s ability to accommodate changing tastes while remaining true to her own aesthetic. My daily responsibilities have shifted, too. Whereas I used to spend a lot of time weaving (on a wonderful, 24-harness AVL compu-dobby loom), I now focus on computer aided design.

More specifically, for the past year, we have been pioneering a new concept in print design: engineered digital prints. Jhane Barnes Digital, set to hit the stores this fall, features a line of clothing printed with millions of colors. In each garment, the print coincides with a specific part of the garment, resulting in a synthesis of color, composition, and form.

Jhane Barnes Digital is fashion’s future. Jhane is changing with the times, and is even ahead of the fashion curve.

As a designer, I am excited to experience these transitions. The only downside is that I am no longer weaving. We are designing fewer and fewer woven dobbies, and are selling two of our looms. I am very sad to see them go! I am grateful to the looms for all they have taught me, and hope their new owners love them as much as we did.

image above: Iviva weaving

Neptune Shirt

Thursday, July 23rd, 2009
Neptune and the Seahorses (Painting by Dr. Robert Elliott)

Neptune and the Seahorses (Painting by Dr. Robert Elliott)

I love hearing from the men who wear my clothes. Dr. Robert Elliott, who has been wearing my clothes for years, sent me some paintings for Christmas! I was so excited when I opened the package and saw these watercolor sketches based on Da Vinci’s drawings. I just had to call him and thank him.

I ended up telling Dr. Elliott about some of our new designs. He was intrigued by Jhane Barnes Digital, a new line featuring engineered, digitally printed garments. I explained to him that in an engineered print, each aspect of the print coincides with a specific portion of the garment, so that there is a complete synthesis between the fabric and the garment. As a painter, he appreciated the fact that digital printing allows me to design with millions of colors. And then it hit me: “Why don’t I make an engineered digital shirt out of your painting inspired by Da Vinci’s “Neptune and the Sea Horses” drawing?” I asked. He was thrilled by the idea, so I worked with one of my designers, Heidi Bender, to adapt his painting as a print.

In this video, Heidi explains in detail how she transformed the original painting into a shirt.

This shirt is a true collaboration between Heidi, Dr. Elliott, and me. Our design process is as important to me as the final garment. I love when people and ideas cohere into a great finished product, as they do in this shirt, Neptune. Thanks, Dr. Elliott, for allowing me to adapt your painting, and thanks, Heidi, for adding your own painterly touch.

This shirt, like a number of my designs, is an exclusive item. I only produced a limited number. Currently, you can find this item at my online store: Jhane’s online store

New Eyewear

Friday, June 19th, 2009

I’ve added two new lines to my eyewear collection with Kenmark Optical.

A sample of my new Rhedux eyewear

A sample of my new Rhedux eyewear

The first is Rhedux. Like my menswear Rhedux collection, this line is environmentally responsible—a perfect match for customers who want to reduce their impact on the earth without sacrificing look and quality.

Rhedux has three new styles. Each uses 30% recycled acetate for the temples, and has an inlay of recycled wood pulp (used in the paper industry).

Who knew wood pulp could look so elegant?

Who knew wood pulp could look so elegant?

The “demo” lenses (the ones in the frames when you try them on in the store) are made using polylactic acid—a biodegradable plastic from renewable resources such as corn. These lenses break down into carbon and water when incinerated (Whole Foods makes their juice cartons and containers out of the same material). I’m pleased that Kenmark has begun using these lenses in nearly all of their new styles, because millions of those demo lenses are discarded every year, and up to now, they have been made from indestructible plastic (and most still are).

The second new line is called Interchange. Each frame comes with three temples that can be switched out for a different look. There are currently five shapes available, with more in development. These are my new favorites because my doggies always chew on the temples! Now I have spares – and can even color coordinate with my clothes.

interchangetemples_sm1

Selection of Interchange temples

Each front shape comes in one front color and five different lens shapes (the optician can put any of the five different shaped lenses in the front piece).  Each frame comes with three color coordinated temples that can be switched out for a different look: a translucent color, one of my pattern designs, and one patterned acetate temple that is thinner in profile than the other two.

Patented Interchange hinge

Patented Interchange hinge

The interchange system uses a patented endpiece/ spring hinge system with a release mechanism that makes it extremely easy to switch out the temples. To see more about my new Rhedux and Interchange line of eyewear, visit my section of the Kenmark Optical website at: jhanebarnes.com/kenmark